Roland Barthes idea of a studium is when
" I glance though them, I do not recall them; no detail ever interrupts my
reading: I am interested in them, I do not love them". The picture
above is an example of a stadium picture. The
picture portrays a giant tree in a field, this is an ideal
example of a studium because even though a slight interest may
rise while viewing the picture, it creates no impactful presence
in front of the viewer. Examples of studium pictures in
everyday life can be found on Instagram the general users
of Instagram upload selfies and pictures of normal objects around
them with exceptions to popular accounts. Selfies and other normal pictures do
not spark much interest and can be categorized under studium.
USING THESE DUALITY IN EVERYDAY
PHOTOGRAPHY
Century ago the technology to take pictures was
not as advanced as today, Cameras were costly and poor quality
while nowadays everybody has a device that can capture a picture with
ease. Every individual has a unique way of taking pictures and a
unique style of interest. As (Singh, R & Ladsaria, S, K) said "Photography
is a structural grammar that deals with “trans-linguistic” fields of
communication.". Youtubers today reel in millions of people into
watching their videos by using pictures which are punctum, these videos serve
the purpose as "Click bait". So why do people fall for click bait
videos? Its because youtubers have started to use the technique of
punctum to ignite interest in people.
So, the next time you come across a picture and
analyze it to identify if it is a punctum or a studium ask the following
questions to yourself
1. Does this picture make me
interested?
1. Do i want to ask questions about
the picture (Example: backstory, explanation, etc.)
1. How does this picture affect me?
REFRENCES
Barthes,
R. (1993). Camera Lucida. London: Hill & Wang.
Rau, P.
(2006). Beyond punctum and studium: Trauma and photography in Rachel Seiffert’s
the dark room. Journal of European Studies, 36(3), 295.
Singh, R
& Ladsaria, S. (2017). READING ‘STUDIUM’ AND ‘PUNCTUM’ IN STEVE MCCURRY AND
RAGHU RAI’S PHOTOGRAPHY. Journal of the Humanities and Social Studies,
21(1), 33. http://dx.doi/10.3176/tr.2017.1.03
Sontag,
S. (2001). On photography. New York: Picador USA: Farrar, Straus and
Giroux, pp 3-24.
“James
Van der Zee, Family Portrait (1926)” by Catherine Gander is licensed under C
“Lula”
by Umang Snehi is licensed by Umang Snehi (me).
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